read it here.
one quote i liked –
“What’s lacking in so many films from people without a film-school education isn’t the technical expertise,” he argued. “It’s the ability to turn that expertise into a compelling story.”
read it here.
one quote i liked –
“What’s lacking in so many films from people without a film-school education isn’t the technical expertise,” he argued. “It’s the ability to turn that expertise into a compelling story.”
the traditional way of storyboarding is to draw 3 frames or so stacked on top of each other on regular pieces of paper. i started to do that, but was frustrated by how inflexible it was. i visualize out of sequence, and so i had all these sheets of drawings that were out of order….
i’m all done with my first tv spec! the deadline for the nick writing fellowship is tomorrow, but i finished and mailed it off today. the fellowship announcements will be made in late august / early september, so now i have to forget this project and move on to my next one. i ended up…
2012 was, without exaggeration, the most difficult year of my life. it started with a root canal caused by grinding my teeth, the pressure which killed the nerve. grinding my teeth came from the stress of finishing the nick fellowship in oct 2011 and having nothing tangible to show for it. i had had no writing…
i have 1 week left for the indiegogo campaign of my short film! please check it out – http://igg.me/p/103615?a=594484 in between producing duties like schedules, budgets, and contracts, i’ve been squeezing in some director prep. i’m using a program called frameforge which lets me create digital storyboards based on a digital version of my set. frameforge…
my focus has been tv writing, but for those who write features, you should definitely submit to the nicholl fellowship. here’s an interview with the winner from 2010, from ashley who herself is a past semi-finalist. http://ashleyfmiller.wordpress.com/2011/04/10/interview-with-nicholl-fellowship-winner-micah-ranum/
i’m done with a draft for my community spec. i can’t believe i wrote it in 19 days! here’s the breakdown of time: 8/4 – decided to write a spec for the show community. i watched all the episodes from the first season over and over. 8/6 – broke down the structure of the show….
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Too true — it’s a long way from being able to swing a camera around to being able to illustrate a story in a compelling way. When I made my first movie, and I was behind the camera, I had a sudden rush of a satori that I had no idea what to point the camera AT. I mean, exactly what was it I wanted to look at, and what are all the profound implications of seeing that, compounded by 16 frames a second (back then, now 29.95).
Fortunately, that was forty years ago, and I have looked at/seen many things since then, and now I have had to time to understand the relationships of things in the making of a story. I would say, become the eyes on the story you want to explicate: Tell the truth (even if it’s fiction) about your subject. This will propel you forward, seeking always to say more/see more about the truth.
Carry on, Nurse . . .