i went to a SAG workshop on their different contracts about a month ago. here are my delayed notes. i was mostly interested in the short film agreement and not the feature film agreements (yet). the short film agreement doesn’t cover a tv pilot or a spec commerical. SAG has different agreements for those, and…
It’s been a while since I updated my blog. So I quit my job, sold almost everything I had, and decided to travel overseas for a year to take a creative sabbatical. I talk about it here. I’ve been making videos of my projects and my travels, so you can subscribe on YouTube, and follow…
Beau and I met through our wonderful writing group. Not only did he win Austin in the comedy spec category in 2008, he was also a semifinalist this year! You can follow him on twitter @BeauHenry and on his blog at http://readmypilot.wordpress.com. You won the Austin Film Festival in 2008 with an Office spec, and you got to meet…
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The TV Writer’s Workbook: A Creative Approach To Television Scripts is the book that helped me the most while i wrote the office spec that got me to the final round of the nickelodeon writing fellowship last year. if you want to know how to write a good spec script, you must get this and…
craig mazin shares his thoughts on managers vs. agents. it’s in reference to screenwriters but i’m sure it can’t be all that different for directors. http://artfulwriter.com/archives/2006/12/wither_managers.html
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