reader question: spec stuff

fellowship deadlines are around the corner, and someone had a few questions about specs.

Hi Kiyong,

I’m currently on my 3rd draft for my Happy Endings spec and have a few questions about it.

1.) I have a main character drifting aimlessly through the B & C plots and not really contributing anything to the story should I even bother including them? Outside of a few lines in the cold open.

I feel like these programs want you to demonstrate your understanding of the show’s voice, which means incorporating every main character into an A-B-C storyline. Shows like Community have characters barely appear in an episode and it works. I’m also not Dan Harmon though.

2.) I’ve heard that you’re not supposed to introduce new characters into a spec. I understand not creating new characters where the entire episode revolves around them, but what about a minor character that serves the plot? For instance I included Penny’s boss, a character never mentioned before, but fits into the show’s universe.

3.)Is it ok to introduce new locations? I’ve only been using established sets so far.

4.) What do judges want more in a sitcom spec? One bursting with jokes or funny plots that are tightly constructed? I guess this depends on the sitcom as well.

good questions. here are my thoughts:


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